|Table of Contents|

EffectofWesternArtPhilosophyonJapaneseGarden(PDF)

《北方园艺》[ISSN:1001-0009/CN:23-1247/S]

Issue:
2012年11期
Page:
88-92
Research Field:
Publishing date:

Info

Title:
EffectofWesternArtPhilosophyonJapaneseGarden
Author(s):
LIJing 12GONGBi1LIPeng3
1.CollegeofForestry,NorthwestAgriculturalandForestryUniversity,Yangling,Shaanxi712100;
2.JinanLandscapePlanningandDesigningResearchInstitute,Jinan,Shandong250002;
3.ShandongYingcaiUniversity,Jinan,Shandong250104
Keywords:
themodernartphilosophyJapanesegardenwesternizationtraditionintegration
PACS:
TU986.6
DOI:
-
Abstract:
Theoverviewoftheconnotationofthewesternmodernartphilosophyweregave,indifferenthistoricalperiodJapanesegardenartactivityunderwentaprocessfromcompletelyacceptanceofthe‘Westernization’toexceedingtheWesternmodelwereanalysed.Untiltoday’sinformationageundertheimpactofmultiplecultures,traditionalcultureintegratedwithforeignculture.ThefinalanalysisgavethefeaturesofmodernJapanesegardenaftertheexperienceofintegrationanddevelopment.AimedatthesuccessfultransitionexperienceoftheJapanesegardencouldbeareferenceforthedevelopmentofChinesegardenconstruction.

References:

[1]王向荣,林箐.西方现代景观设计的理论与实践[M].北京:中国建筑工业出版社,2002.
[2]刘庭风.日本园林教程[M].北京:中国建筑工业出版社,2004.
[3]沙永杰.“西化”的历程―中日建筑近代化过程比较研究[M].上海:上海科学技术出版社,2001.
[4]章俊华.日本景观设计师枡野俊明[M].北京:中国建筑工业出版社,2002.
[5]刘磊,章俊华.对日本现代园林设计风格的思考[J].中国园林,2007(4):69-74.
[6]章俊华.90年代日本环境设计50例[M].北京:中国建筑工业出版社,2002.

Memo

Memo:
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Last Update: 2014-10-09